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Orthodox Architecture and the Avant-Garde: Russian Church in Moisenay, France

by Valery Baidin

There is an unshakable and almost unanimous opinion among contemporary Russian church architects that the development of Russian church architecture came to an end in 1917, after reaching its peak during the art nouveau era. It is a common belief that this development had stopped, firmly and “providentially,” and therefore that any further innovations should be discarded as suspicious. The “bright future” of church architecture was in its past. In fact, this retrospective utopianism indicates indifference and a lack of creativity.

Valery Baidin

Valery Baidin is the historian of Russian culture, culturologist, writer, and philologist. He was born in Moscow and studied history at Moscow State University and graduate school. In the early 1990s he left Russia and continued his studies in Switzerland and France, defending his doctoral thesis on the Russian avant-garde. He has taught and lectured at the University of Nancy, Normandy, and at the Sorbonne. Actively participated in the architectural debate in 2011 over the construction of Russian spiritual and cultural center in Paris. The author of a hundred scientific articles and essays on the Russian artistic culture of the different eras, the monograph “L’archaïsme dans l’avant-garde russe. 1905-1945″ (Lyon, 2006), and a number of prosaic and poetic works. He lives in France and Russia.

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