The Wheel #15. Behold, I make all things new. Fall 2018

Peeling Back the Onion Dome: Review of Nicholas Denysenko, Theology and FormJoseph L. Clarke

Few endeavors test a parish’s collective determination and mutual goodwill like the construction of a new building, or the renovation of an existing one. Even a modest building is a tangible manifestation of a community’s distinctive character and of the public face it wishes to present. Like liturgy itself, the church structure plays a crucial[…..]

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The Wheel #33. Blessed in the Kingdom. Spring 2023

“Defender of Faith”: Christian Monarchy and Religious Pluralism

Establish a national church led by your head of state and call this individual “Defender of the Faith”: to some contemporary ears this might sound like a recipe for a coercive, farright form of Christian nationalism. When King Charles III was crowned in Westminster Abbey on May 6, 2023, in the first explicitly Christian coronation[…..]

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The Wheel #17/18. Jew and Greek. Spring/Summer 2019

The Future of Notre Dame

“We will rebuild it”: Even before the April 15, 2019 fire at the Cathedral of Notre Dame de Paris had been extinguished, French President Emmanuel Macron had already defiantly promised to lead a major reconstruction project. But what rebuilding means is a complicated technical, artistic and political question.

The Wheel #19. Of the Book. Fall 2019

For Those Just Tuning In: Christianity by Podcast

The most consequential medium for English-language discourse about Orthodox Christianity today is internet-based audio. Church-themed podcasts, YouTube channels, and even online call-in shows have mushroomed over the past few years. Many hours’ worth of free spoken content is now produced every week, enough to suit virtually every cultural temperament within the Church.

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The Wheel #24. The music of creation. Winter 2021

Echoes of Byzantium: Review of Cappella Romana, Lost Voices of Hagia Sophia, and Bissera V. Pentcheva, Hagia Sophia

To “transcend the textual and plunge into the rich sensorial realm of the past culture of Byzantium”: this is the alluring promise of the recent album by the vocal ensemble Cappella Romana. The recording presents a series of chants for the feast of the Exaltation of the Cross selected to demonstrate the stylistic breadth of[…..]